Sheet music facsimile Campra André French cantatas mingled with symphonies and for various voices in duo Book II 1714

French Classical Music from 1650 to 1800 / Sheet music facsimile Campra André French cantatas mingled with symphonies and for various voices in duo Book II 1714
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French Classical Music from 1650 to 1800 / Sheet music facsimile Campra André French cantatas mingled with symphonies and for various voices in duo Book II 1714 French Classical Music from 1650 to 1800 / Sheet music facsimile Campra André French cantatas mingled with symphonies and for various voices in duo Book II 1714 French Classical Music from 1650 to 1800 / Sheet music facsimile Campra André French cantatas mingled with symphonies and for various voices in duo Book II 1714

Nota : Photo not binding

Author : Porot Bertrand


Composer(s) : Campra André


Format : 23,50 x 31,50
Number of pages : 176
Reference : 5939

Price : 63.00 €

This facsimile sheet music by André Campra is part of our French classical music collection.

Edition: Paris, C. Ballard, 1714.

Presentation by Bertrand Porot : The recitative writing - The airs - Opera influences - Mythological characters in the cantatas - The poets: biographical details.

Tables: of the cantatas, of the separate airs. Catalogue of Campra's works.


Far from his reputation of being under Italian influence, Campra is a typically French composer, as is apparent from the style and perfect prosody of this second book of cantatas.

Collection supervised by the musicologist Jean Saint-Arroman.

Facsimile of a copy in the Municipal Library of Lyon (France).

Voice (soprano), Voice (haute-contre), Voice (bass), Violin, Flute, Continuo,

Chamber music,

1 - Première cantate en Mi Majeur, Les heureux époux (dessus et basse continue) : Récitatif – Air, marqué – Récitatif – Air, tendrement – Récitatif – Gay
2 - Deuxième cantate en Ré Majeur, Silène (basse, violons et basse continue) : Gravement – Gay et lié – Récitatif – Air, lentement – Récitatif – Lentement, vivement
3 - Troisième cantate en La Majeur, Achille oisif (dessus, violons, basse continue) : Lentement et gracieusement – Récitatif – Gracieusement – Récitatif – Un peu gayement et piqué – Récitatif – Lentement et marqué – Air, gravement – Récitatif – Ariette, légèrement
4 - Quatrième cantate en ré mineur, De l'Amour et de l'Hymen (haute-contre, violons, flûte, basse continue) : [Introduction instrumentale] – Gracieusement – Gayement – Récitatif – Modéré et piqué – Récitatif – Air, gracieusement – Récitatif – Mesuré et piqué – Ariette, gay et piqué
5 - Cinquième cantate en Ut Majeur, La danse de Flore (dessus et basse continue) : Mesuré – Air, un peu gayement et mesuré – Récitatif – Air, lentement – Récitatif – Ariette, mouvement de menuet
6 - Sixième cantate en Fa Majeur, Enée et Didon (dessus, basse, basse continue) : Prélude, vivement – Ensemble - Plus lentement – Air, gracieusement – Récitatif – Ariette, gracieusement- Récitatif – Ensemble.




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