French cantatas for solo voice with symphonies. Book I

French Classical Music from 1650 to 1800 / French cantatas for solo voice with symphonies. Book I
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French Classical Music from 1650 to 1800 / French cantatas for solo voice with symphonies. Book I French Classical Music from 1650 to 1800 / French cantatas for solo voice with symphonies. Book I French Classical Music from 1650 to 1800 / French cantatas for solo voice with symphonies. Book I

Nota : Photo not binding
Author : Porot Bertrand,
Composer(s) : Stuck Jean-Baptiste. dit Baptistin,



Format : 23,50 x 32,50
Number of pages : 120
Reference : 5667












This facsimile of an original by Jean-Baptiste Stuck is part of our French classical music collection.

Edition : Paris, l'Auteur, Foucault, 1706.

The preface to this first book of remarkable French cantatas includes a catalogue of the works of Stuck and a biography based on partially unpublished archival documents.

Preface by Bertrand Porot: biography of J.B. Stuck - catalogue of the works of J.B. Stuck.

Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Supérieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers).
He is the author of the majority of our prefaces and has also been involved in library searches.

Facsimile of a copy in the Municipal Library of Lyon (France).


Anne Fuzeau Classique propose period copies of classical music scores.

Download Anne Fuzeau Classique's catalogue

Voice (soprano), Violin, Flute,

Voice, instrument(s) and continuo, (Soprano, 2 violins, continuo - Soprano, 2 violins, 1 haute-contre de violon, continuo - Soprano, flute, 2 violins, 1 haute-contre de violon, continuo),

1 - Cantate I, Philomèle (voix de dessus, deux parties de violon, basse continue)
2 - Cantate II, L'Impatience (voix de dessus, deux parties de violon, basse continue)
3 - Cantate III, L'Heureux Amant (voix de dessus, deux parties de violon, basse continue)
4 - Cantate IV, [sans titre] (voix de dessus, deux parties de violon, une haute-contre de violon, basse continue)
5 - Cantate V, Le bergère Philis (voix de dessus, deux parties de violon, flûte traversière)
6 - Cantate VI, Céphale (voix de dessus, deux parties de violon, une haute-contre de violon, flûte traversière, basse continue).




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